| Senator Diane Feinstein Yo-Yo Ma, Izhak Perlman, Gabriella Montero and Anthony McGill (January 2009)
Why are there American citizens who stubbornly
maintain that Neil Armstrong’s moon landing was faked? Why is cynicism becoming
a crippling national malady? Look no further for the answer than the inaugural
ceremonies of Barack Obama, where a U.S. Senator and a quartet of great
musicians couldn’t bring themselves to avoid artifice and deception on the
day America displays its democracy to the world. There were reasons, of course. There are always reasons for lying. The
weather was too cold for the instruments, and the virtuosos Ma, Perlman,
Montero and McGill feared that their rendition of a blah John Williams-arranged
pastiche called “Air and Simple Gifts” would be out of tune. So they had
a recording ready, and it was the recording of the four (conveniently
available just when they needed it, although no recording of the new piece
was commercially available. Hmmmm…) that was heard by the
television audience around the country and the world, as well as the millions
of assembled to see the ceremony in person. Senator Diane Feinstein, handling the introductions for the day, laid
the groundwork for the fakery by introducing the performance as if it
would be live. It all went off without a hitch. Three days later, everyone
came clean: what was “played” was a recording. Just like Ashlee Simpson,
who was pilloried for lip-synching on “Saturday Night Live.” Just like
Milli Vanilli, the infamous band that was run off the record charts forever
presenting other singers’ voices as their own. But hey, that was entertainment. This is just the inauguration of the
President of the United States. You know…the one who is going to change
the culture of secrecy, deceit and lies in government. I know what people are going to say: big deal. Who cares? It’s
just a piece of music, and a bunch of long-hairs were afraid of becoming
the classical equivalents of Robert Goulet, botching the National Anthem
while being broadcast to the world. But it wasn’t just another musical
performance, was it? The performance was part of the swearing-in ceremony
of President Barack Obama, and that meant that it could not, should not,
must not be phony, faked, or a lie. I don’t buy the story being peddled
by the Joint Congressional Committee on Inaugural Ceremonies, whose spokesperson
claimed, in revealing the scam, that the musicians were "very insistent
on playing live until it became clear that it would be too cold."
Baloney. This wasn’t April, after all. It was late January, and the weather
in D.C. had been hovering at or below freezing for a week. Everyone with
a TV, a car or a thermometer knew that a quartet including string instruments
wouldn’t work, not to mention that it is hard to play the violin, cello
and piano in mittens. The musicians had the recording prepared, cued up,
and ready. This was the plan all along: Fool everybody. The important thing, after
all, was to make sure everything went perfectly. Next time, maybe we should
try an audio-animatronic Chief Justice who won’t screw up the oath of
office. Perhaps the president should lip-synch pre-recorded responses,
just to be on the safe side. Or have a double stand in for the President
during the ceremony…you know, for security purposes. Maybe we should have
the inauguration produced in a studio against a green screen, so nobody
has to be cold at all. Just like the moon landing. No. This wasn’t just a quartet of musicians. Their performance was part
of a sacred American tradition that evokes the best in our history and
values. This was a ceremony that was supposed to symbolize, as it always
should symbolize, hope, honor, freedom, public service, and American idealism.
It was wrong, terribly wrong, to begin the next four years with one more
casual blurring of reality because lying is easier than accepting consequences.
Yo-Yo Ma dismissed objections to his faked performance by noting that
this was nothing unusual, that outdoor performances are often, even routinely,
handled this way. Yes, we know that lying and fakery may become acceptable
to the public with repetition. But the message of this administration
was supposed to be that lying is not acceptable. If you are willing
to applaud for live performances that aren’t live, fine: enjoy your Milli
Vanilli. A United States presidency is not a musical performance, and
must establish a higher standard than that. It would have been wonderful, refreshing, and, yes, symbolic, if Diane
Feinstein had said, “We had hoped to have a live performance by Yo-Yo
Ma, Izhak Perlman, Gabriella Montero and Anthony McGill today, but unfortunately,
the cold will not allow their instruments to play in tune. So here is
a recording of a special selection John Williams composed for the occasion,
as these wonderful musicians played it in a studio.” Ah, the truth. The sweetest sound of all.
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© 2007 Jack Marshall & ProEthics,
Ltd |